We have a children’s book called ‘The parrot song’ which is a little ditty all about repetition. It mentions the German town of Baden-Baden and for a while in my ignorance I wondered why they had plucked out a town which rhymed with Pardon. I find it quite amusing because in the Arabic language there is no ‘p’ sound so words/letters in English can often me a little tricky for my husband. Baden and Pardon could almost be interchangeable. So when the offer of exhibiting in the German town of Baden-Baden came we had a rather interesting conversation as to whether it was one Baden or two. Needless to say there were numerous Baden’s and Pardon’s.
The connection with Baden-Baden was a racing event and the possibility of exhibiting ‘Troy’. The whole idea snowballed into my husband creating a body of work for a solo exhibition for Baden races. He painted prolifically in our house which was a real pleasure to participate in and be able to watch the process. He built on work we have had for several years. Layering ideas and colours, resulting in paintings like stories. I wish I had recorded the whole process really in todays digital age as it is an art in itself watching him create.
The sculptures, sleek and elegant are more like statements. He created new pieces specifically for the event adding to the already existing smaller horses head-piece ‘Mane’. So the summer was overtaken by preparing for Germany. With nerves, apprehension and excitement he flew to Frankfurt yesterday and onto Baden-Baden. Early this morning the work was arriving by van and I am sincerely praying they arrived safely, in one piece and the installation can begin. (text received all going well)
Here is a glimpse at the absolutely stunning work:
“I will be showing this collection at my exhibition at Baden Racing event in Germany from 28th of August to 6th of September. In this exhibition I am showing for the first time in my career paintings, which I have created involving horses to compliment my sculptural work. Being at the Baden racing event is a great opportunity and the perfect place to showcase this theme of work.Growing up in the countryside of Egypt I was surrounded by all kinds of animals in particular horses has influenced me. Not only as a creature but mainly the form and shape fascinated me. How it moves, the muscles and the harmony of the body whilst at speed and stationary. Riding horses in my culture is a natural thing there is no training for it. I believe being an Egyptian that I am a natural rider. The experience of riding has made me feel the body movement of the horse and the communication between the horse’s body and mine.At the faculty of Fine Art in Cairo I chose to be a sculptor, I never used horses as a subject as most of the practice was in the classical realism of human figures. However, when I look back at my sketchbook, every book has one or two drawings of horses. I wouldn’t describe myself as a painter; the prominence of my practice is in sculpting. Although, when I choose to paint the only thing, which comes to mind, are horses. I feel like my hand wills the brush beyond my control to paint them.
My usual sculptural practice is using steel and stainless steel using folding and welding techniques to create minimalistic sculptures to create my concepts. In 2013 I created an unusual piece, slightly different from my usual line of work. I had some material and saw a horse within so I tried to carve it out. I had no real purpose for creating it. The materials and space limited the size I could go to but my intention wasn’t for a full size horse. After several months of carving I realized I was creating my own version of a horse. This prompted the start of a collection and I am exhibiting them all together for the first time. My work reflects experience and memories that most of us share. Using the horse as a subject is a tool to highlight the universal concept to point out the strength within us, the harmony of creation of our body and the beauty within.”