These Hills we Climb

Colour, Connections, Soul searching

I am not quite sure how I dare use my adaptation of the title of Amanda Gorman’s Inauguration poem for this blog post (although I have very slightly changed it-does that make it ok??) I began writing this all the way back in January after she delivered her poem at the Inauguration. When the same week I discovered and realised that this sculpture my husband created at the end of last year (2020) almost looks like a three dimensional portrait of Amanda Gorman,with her Prada yellow coat and red headband, I couldn’t not make a post about the connection. Now April the poem is published in book form. So where did January, February and March go? I am not sure. It is odd to think that the slower our pace of life, the quicker time goes. (If you are a follower on Instagram I posted by poem about Time there).

And what hills we have been climbing, internally, nationally, globally, metaphorically and literally if you live in Yorkshire as we do. Certainly a time of almost forced contemplation and reflection. We need to though don’t we? There seems so much to contemplate yet simultaneously being aware that we simply have the moment. Stories of past and future simply being imaginative. These problems our imagination creates can be overcome.

It’s interesting to listen to some of Gorman’s poetry from a few years ago when her speech impediment was still audible. She has certainly I wouldn’t have been aware of it at all in her recitation of ‘The Hill we climb’, on the day. She spoke with confidence and assertion. Hearing her delivery of the poem, the poem itself with words chosen for alliteration, assonance and literary references to other poets sent me into a little spiral of self doubt. The same week when after almost forty years of pursing purpose, I had the realisation that poetry was my path. Though, I have the tendency to do something until I realise I can’t be the best at it then retreat back into my cancarian shell until I find another little track to go down. However, I think this time I have a willingness to stick at it just for joy. To keep finding joy in writing in some form or another as often as I can.

“And yes, we are far from polished, far from pristine,
but that doesn’t mean we are striving to form a union that is perfect”

The poem is one of hope and a much needed sentiment as we march on into the rest of this year with lockdown gradually being lifted here in the UK. As much as I like solitude and isolation we have a natural desire for freedom and rightly so and it’s human nature to want to be together. To share experiences.

‘Let the globe, if nothing else, say this is true:
That even as we grieved, we grew.
That even as we hurt, we hoped.
That even as we tired, we tried.
That we’ll forever be tied together, victorious’

The sculpture is titled, “Monument II’ from the folklore collection. A mixture of head busts and large scale standing pieces inspired by African and Egyptian folklore. What is appealing about each one of them is that from different angles they look like completely different sculptures. So below are the images of the sculpture rotated, each telling a different story. Most of the sculptures my husband creates tell a story and this one will always be for me the story of Amanda Gorman and what a story. She certainly inspires, seems like a bright light and represents the ability to accomplish dreams , to keep on reaching for those hills to climb.

Reflecting back and Looking ahead

Connections, History, Philosophy, Soul searching

As the natural world around us is literally frozen today as I write, this last day of 2020. It as though time is suspended. So many things in life were suspended this year. Waiting.

As we straddle one year to the next I feel increasingly aware that time is really inconsequential and that we mark time, create time for plans and accruements that we have no guarantee for.

This is no different from how life has been before we have been faced with a reality this year that has taught us to slow down, reflect, hibernate. Here in the north of England we are deep in winter snow which mirrors that intense desire to curl up.

The global situation may seem desperate, bleak but if we focus on what is in front, what is within then we can uncover hope. As seasons change so can we, and unfurl into spring. For now we really have nothing more than the moment.

Poem by Tamsin Shendi

The Great White Horse

Drawings, Making, Relationships

When I was in primary school, year two (although it wasn’t called that back then) we did some kind of medieval project and made wish bags. We had to write what we wished for and then seal them in these fabric bags. I wrote ‘horse’. I am not sure why, it is one of a few memories I have from being an infant, yet I didn’t go horse riding or really show any interest in horses I don’t think. Maybe, it was the era of ‘my little pony’- I don’t know. Not long before I had my own children boys I booked myself a lesson and even that memory seems very hazy but I was obviously allergic. When the boys were small I took them on a horse trek and walking beside them wasn’t the best idea, my eyes were itchy, I couldn’t stop sneezing. However, there is something about the horse that still appeals to me.

Meanwhile, over in Egypt my husband was growing up surrounded by animals and horses, mainly because of his grandfather. So riding was a past time of his. In many of the villages around his childhood home wedding celebrations would include a dancing horse. Not sure if the horses danced because of the rhythm of the music or they were trained to, either way, it was the sculptor’s favourite thing to watch.

The first lockdown this year resulted in the sculptor producing a collection of drawings, mainly of animals and amphibians. In this second lockdown the sculptor has been drawing horses. This is the story which inspired the collection.

Whilst at University the sculptor was living with other students, one was an interior designer. He asked one day if my husband would like to go horse riding with him. The sculptor promptly said yes and was instructed that they would be riding near to the pyramids at about four in the morning. The sculptor found this a strange time due to the darkness so asked why. His friend told him that there were some magnificent horses, not allowed out in public for the tourists to ride but kept in the stables.

The sculptor went with the interior designer to a very unusual place near the pyramids in the early hours before the dawn. They were the only people awake. The friend knocked on a seemingly random door. An old man opened, greeted the friend with familiarity saying, “the same horses”? The friend replied, “yes”.

After a short walk, a stable door was opened and there was the giant white horse, clearly not of an Arab bloodline. My husband had never seen something that large in his life. He fell in love immediately with grand horses. Not interested in speed but the idea of a creature so powerful with solid muscles cutting through the air with beauty and holding a dynamic gracefulness- perhaps this is the point of view of the sculptor. Always looking at shape and form.

The sculptor insisted on riding this grand horse despite it being the one for his friend. He observed his friend’s disappointment. The stable man stated that he wouldn’t be able to handle him and that the friend was used to riding him. As soon as my husband mounted the horse’s back, he reared up and tipped him off. It then took him a second or two from the shock and everyone laughing around him, for him to realise what had happened. He got up and got straight back on. Gently touching the mane he slowly built up speed upon the horse. Maybe the horse had wanted to send him a message that the horse was the one in control.

In the darkness of the night some how the desert was lit up by the stars, or the sparks from the friends horse running so fast ahead on the the stony ground. The great white horse got faster until it was as though the sculptor was no longer riding a horse. The horse was a soft gentle rocking chair. The sculptor was so confident as the cold breeze hit his face from the speed and yet he felt on top of a feather. At this point his hands let go, stretching out to his sides. For a brief moment he believed he was no longer on earth. Perhaps, floating between land and sky. He felt free.

Maybe the horse experienced it too. The horse and sculptor were one. It was an experience he will never forget.

The Sculptor & Sons get a dog despite me saying no!

collections, Colour, Making

In July, just after the first lockdown my family and I took a day trip to the east coast for a seaside excursion. As many others had also had the same idea, we tried to social distance on the beach. My mother who was recovering from a major operation was acutely aware of the many dogs barking. My brother, who’d recently returned from Australia because of our mum’s health and the world pandemic situation was loving observing the dog. He made quips about how great it would be to be one, have one, just generally loving the idea of dogs. Whilst I, on the other hand couldn’t think of anything worse. Mainly, I think because we got a little dog when the boys were still too small to assist in the responsibility of it all and it tipped me over the edge. However, even before that, the sculptor and I had a doberman for about 6 months until the sculptor was in a car crash and I was heavily pregnant. I managed a few months more but I think he was nine or ten months old, we made the sad decision to re-home, Troy (and he was our second doberman also but that’s a whole other story). So, for me I was never going to have a dog again. Tried and failed. I think for me there is a big fear of failure but I am learning late in life that failure is a very very important and crucial element to success. Also, I wonder if I was rather conscious of ‘what other people would think’, again, learning that my people-pleasing traits have down sides.

Dream Catcher IV, Harlequin Collection

So, how by August did we end up with a six month old doberman pup? I am pretty sure it had something to do with the Harlequin collection which the sculptor created, made and completed during lockdown. A collection of five mystical, whimsical, imaginative creations. A product of the time we are in? A reflection of madness, mask wearing, dream like, bizarre fantastical creations. I have just featured Dream Catcher IV in this post as I think he was the culprit!

I certainly think the sculptor starting imagining having a creature wandering around along side him. The boys and their father have continually discussed when and how they would get a dog; breeds and training. I remained ever hopeful that this was just all creative talk! So when they proposed the idea in July I said a vehement ‘no’. I wasn’t on board. It didn’t seem to deter their plans. I felt immediate upset, that I was being put in this position. Felt that my opinions were not being heard. I felt overwhelming sadness which quickly turned to anger and then resentment. My youngest, in persuasion told me to “open my heart and take a leap of faith”. My eldest in consolation told me that they had heard my point of view but that didn’t necessarily mean I had to have it my way. This was an interesting learning curve for me about vocalising my opinion, being heard, being understood but not necessarily getting your own way or being ‘right’. Not that there was a right or wrong in this situation but it did feel like three against one!

So I did a lot of journaling. I took a 6 week meditation course. I breathed in and out. Try it! I learnt a lot. Perhaps, stemming right back to when I was nine years old, we moved house to a new county, started a new school, my brother was born and my dog died all in the space of about five months. Sometimes the way we look at life is governed by our early experiences which lie buried in the subconscious. “History is the fiction we invent to persuade ourselves that events are knowable and that life has order & direction”, Bill Watterson

The doberman (who the boys had decided to name, Troy again) arrived very early Monday morning at the beginning of August he mirrored all of my emotions. Bewildered, confused, scared, tired, shocked, displaced and I watched and observed as my boys took on the challenge in excitement and lapped up the responsibility of having a very large pet. I left them to it. Dogs it would seem have different personalities and this new doberman just didn’t fit into the name of Troy, so we named him the name he’d arrived with with; Kalvin with a ‘K’. The appropriately named cartoon ‘Calvin and Hobbes’ by Bill Watterson, has many quotes that seem to fit my relationship journey with this dog, Kalvin.

I ticked along a little bit but then had a bit or a relapse. All the emotions came up again and I questioned the story. But we all have choices, in each moment. In decisions we make and emotions we choose to carry. We can either focus on dwelling in the past, or in an imagined future and over think or we can focus on acceptance and learn from any situation. In wasting time thinking about the what ifs and the whys we can often hinder our progress. Over analysing gets us nowhere. Srikumar Rao says, “Think of the universe as a benevolent parent. A child may want a tub of ice cream and marshmallows, but a wise parent will give it fruits and vegetables instead. That is not what the child wants, but it is what the child needs.”

So I focused on what I was being given. The positives were we had family days out in the summer days of August and September, we started going to bed earlier, getting up earlier and the boys have their own little independent time walking the dog together in the evenings.

Then, of course, one of the reasons I had not wanted to have a dog, came quickly round to see how well I could cope. My serving of vegetables ( not sure this analogy works with me as I love veg). Anyway, my husband’s exhibition in Egypt suddenly was able to go ahead with little lead time and he left for just over 2 weeks in October for, ‘Motherland’, which I have just written about.

The challenges we face in life are often our greatest teachers but it is so often hard to see it at the time. The two weeks for me felt like I regressed into survival mode. My first walks out alone with ‘the boys’ doberman’ were hesitant, I was nervous and I projected it. I kept explaining to other dog walkers that I was just looking after him whilst my husband was away. “I wondered, is it better to do the right thing and fail or is it better to do the wrong thing and succeed?” Bill Watterson

After Kalvin had arrived I was talking with another Mum at football who said they’d re-homed their first dog which made me realise that perhaps it is more common than I thought. We didn’t necessarily ‘fail’ at have a family pet the first time but the conditions weren’t right for us at that point in time and the personality of the dog we had hadn’t helped. I felt that by the end of intensive two weeks together that I grew in confidence and we are slowly becoming friends. However, I was shattered when the sculptor returned and was relieved. I continue to enjoy our autumnal walks and I try to relax watching the boys play and train their dog.

It can be hard as mothers to reclaim time for ourselves. A resurrection of remembering what makes us individual, aside from the role we play within the family, particularly as a mother but it is so important for identity and self-development, for ourselves and for our children. “We all have different desires and needs, but if we don’t discover what we want from ourselves and what we stand for, we will live passively and unfulfilled.” Unearthing why I didn’t want a dog enabled me to find what I did want. So many things but some of them include, freedom, nature and exercise and having a dog certainly encourages rather than prohibits all of that. So I am leaning towards the bright side. It’s a journey but such a good healing tool.

“You know what’ s weird? Day by day, nothing seems to change but pretty soon….everything is different.”

Bill Watterson.

A creative’s viewpoint of Corona

Drawings, Philosophy, Relationships, Soul searching

2020 isn’t quite the most glorious year I had expected. But then that’s perhaps what we learn from this whole experience, not to have expectations. To really hone in on the moment, to simply look to the day ahead, the hour ahead, the simple present time we experience. On the other hand, it is a glorious year- the weather has been stunning where we are, nature has spread out her glory and we are having a unique consolidated family time.

I am not even sure what week we are into during this ‘staying at home’ quarantine. Time has become less important to measure and the weeks are blurred and so too will the months become.

In the first week though, the sculptor took to daily drawing and from his imagination conjured up these five sketches of creatures.

Interesting, I thought, as we adapted to a new hibernation, nesting or burrowing back into our homes. Then we saw how nature began to thrive and these last few weeks particularly the skies have been clear, the bees blossoming, tiny buds shooting forth and lambs littering the fields. Maybe, this is because we live in the countryside, for which I am extremely grateful right now. Obviously each year spring appears but this annual season seems particularly plentiful.

My husband was asked by various organisations and galleries to comment on the current situation with the corona virus from an Artist’s perspective. My husband has always believed that artists should be isolated in order to evolve, because mixing with so many people within society causes you to loose your identity or rather within the art sphere not be able to retain originality within the practice. History has shown us that so many viruses have come and passed through humanity and many artists didn’t express the situation within their work. He believes artists live in their own world and from time to time have to share his/her time or world with the rest of reality. Every negative situation or crisis always has a positive side to be seen and appreciated if uncovered. Companies are working together instead of against each other, improvements in the environment are already being seen and nature seems bountiful, spending more time with family, slowing the speed of life down, the expectations, the constant need for entertainment and distraction taken away as we are forced into retreat, all of these things are more positive than the actual virus itself.

The sad thing is so many of us don’t know what the future holds or where we are heading. However, in reality is this not the case all the time? The materialistic machine which the world has become has had an impact on what we call human emotion, it has made us selfish, colder, oblivious and ignorant. Now, people are starting to understand that we all have the capacity for the same emotions and a wider collective is appearing for the first time because of the virus issue. Perhaps, the life as we know it will change forever, and if we come out of this doing exactly the same as before then we are afraid humanity won’t have learnt anything.

Although the current situation is not ideal it is perhaps better than where we were heading, to find the positive impact which may come from this huge change. On a personal level the sculptor has always tried to isolate himself because of a need and desire to have time to absorb and recognise or realise an inner state of being. Looking at the past, as this is the only thing we can learn from, most of the greatest names mentioned in the history of humanity had their own time in isolation. Perhaps, now it is better know as meditation. Important though for reflection.

Life is fast. It has been getting faster everyday. We are not as fast. We need to slow our energy and atmosphere around us in order for this phase not to break us. We need to improve ourselves not our houses, our cars, our careers, our consumption. This time is precious. This is the present. It is a gift.

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Here, there, everywhere, then home.

Awards, Colour, Exhibitions, Galleries, Public Art, Soul searching

It was October when I last wrote an entry here, ironically it isn’t because I haven’t been writing. Actually, I have been writing more than ever with good old fashioned pen and paper in a spiral binder from school days. Daily journaling which I am finding fulfilment and satisfaction in and a kind of cleansing as we enter into a new decade. I started to wonder as I go into the tenth year of this blog whether I should continue with it or branch out into something new but I remind myself that my intention for this was to record my husband’s journey into the art world and a little outlet for me whilst the boys were growing. With my eldest almost at my height, they are not so little anymore.

So 2019 ended well with the sculptor having two exhibitions at The Royal Scottish Academy, Edinburgh part of The Annual Exhibition and the Open SSA+VAS exhibition. The sculptor is off to Edinburg on Saturday (tomorrow) to collect them. Some stunning photos were taken of his work in exhibition, thanks to Chris Watt (photographer) & Naomi McClure ( fellow artist in the exhibition).

Image from The Times

We were completely surprised to find out at the start of the year that he won the W Gordon Smith and Mrs Jay Gordon Smith Award for work of merit at the SSA | VAS Open 2019. So this feels like huge recognition.

In the autumn, the sculptor went to Italy to receive the first steel cut for the Cunard. This year he will set to creating and making a sculpture for the ship, the first meeting yesterday so he is just back from London, re-inspired for this huge project. He also collected work from Belgium, took some down to Oxfordshire, had a meeting in Cambridge, is getting work back from Manchester later this week and preparing for a debut back in Egypt in the spring. It is non-stop and either up and down on trains or in a hired van depending on whether sculptures are with him or not. So he is literally here, there and everywhere.

Photo by Christ Watt

I mentioned in a previous post that my own journey appears to mirror the sculptural journey. I have not ventured physically far, although my running distance and length are gradually extending and I am forever ferrying my football son to training and matches but my here, there and everywhere is more of a journey inward. As I finish up my 30 day yoga journey with Adriene YWA I am learning that I need to trust my own path. Let go of what is prescribed or following others and steer my own course. In todays yoga practice I couldn’t quite let go of the need to keep looking and watching her lead. Sometimes it can feel hard to venture off on your own path.

“Awareness returning home is awareness being enfolded by what it knows”

John De Rutter.

I also started 30 day, daily writing journal, at the beginning of the year which I think I need to try and continue the habit of, let go of the guide and listen to my inner voice. Meditations and hypnosis, reading and listening to podcasts I would also recommend to return home to yourself, for I do love winter as a time of hibernation and self development. We all take our own journey through life, we may go off in every direction, opposite and parallel. We wiggle and weave, take twists and turns but ultimately we are all heading in the same direction. The question is, what do we learn along the way?

“We are all just walking each other home.”

Ram Dass

Projects are brewing here and overseas- those twists and turns and I am positive that 2020 will bring more exciting opportunities and hopefully I will keep this little blog up to date monthly. All part of the journey.

Words flow, Words come, Words go, So I dedicate time to grow, Whilst my husband creates, Eldest plays bass, and the youngest kicks a ball at a fair pace.

Words appear, Words stick, Words release, I learn to find inner peace, Whilst my husband is prolific, Eldest plays video games-take your pick, and the youngest kicks a ball with another new trick.

Words flow, Words come, Words go. This regular morning journalling is developing a skill you know.

Victoria, Anne and Matilda

collections, Colour, Connections

September is gone and October arrived and with it so many butterflies. Victoria and Anne and Matilda are sat round the table doing free flowing writing exercises, like the Bronte sisters did. I only know that because last week I went to a poetry workshop in Haworth. Lead by the poet Clare Shaw with her beautifully broad Lancashire accent who poetically spoke of Emily, Anna and Charlotte as though we were there with them. Names. Interesting how we name things and they become so. For these sculptural cocoons my husband named them old Queens of England. Read into this whatever you like; history, identity, nationality, royal family.

The philosophy of these pieces is based upon something the famous sculptor Michelangelo is quoted for, “Every block of stone has a statue inside it and it is the task of the sculptor to discover it”. As though there is a life form within the material being manitpulated, asking for release,  finding a way for freedom from the restraints within the cocoon of medium. My husband’s sculptural journey is often  exploring ‘within’,looking at keeping that statue trapped. Not allowing the ‘breaking free’ process to occur and focusing on the development of the chrysalis. As the sculptor, I suppose this is his licence, to keep it under wraps.  A butterfly just tapped on the window, as I write which gives me a sign I am on the right track.

My interest is in the naming. The famous sculpture of Michelangelo is ‘David’. When we view the sculpture ‘David’ we see a carved figure of a human form. It is unlike earlier Renaissance depictions of ‘David’, the biblical hero standing over Goliath. Michelangelo’s pose is before the battle actually takes place. Over time sculptural practice changes and develops with shifts in materials, philosophy, ideas, the things that inform the world around us. As much as we can still carve materials into almost exact replicas of things, there has to be an evolution to creativity. My husband is making reference to the title of ‘David’ by naming the art work female names in the same way. This creates a story around the sculpture and asks the viewer to question the form. It  suggests that the figure is within the form but additional addresses the idea of what the human form actually is and to think of the body as simply a vessel, to look beyond shape. This concept is prevalent in much of my husband’s work. He is exploring the idea that we are so much more than our bodies  but congruently, sculpturally, this collection is all about form, shape, mass, volume.

Almost at the same time as this collection was completed my husband won a project  which we currently have to keep ‘under wraps’.  A project which has meant a trip to London yesterday for the sculptor. The link between the titles of these sculptures and the up and coming project is a little bit like my constant observation of butterflies. All signs and symbols that everything is unfolding as it should.

 

The Metamorphosis Collection

Making your mark

collections, Colour, Connections, Egyptian, Exhibitions, Making
The Braille Collection by Sam Shendi. Collectively looking like an alphabet system

To quote Mark Twain, “The two most important days in your life are the day you are born and the day you find out why” has resonated with me for a number of years, firstly because my husband so clearly knows his own purpose and what he finds joy in doing but secondly because I have been very much the opposite of that. Like my shellfish star sign, I scuttle one way then retreat into my shell and then shuffle along in another direction. I have had so many interests over the years that I describe myself as ‘jack of all trades master of none’.

However, on Friday 12th July this year, my mother and I gracefully stumbled upon an exhibition at the British Library. In London, for a weekend away (my first without the boys in over 7 years I might add again) we realised neither of us had been to this tower of treasures before.

‘Writing: Making your Mark’ runs only for a few more weeks and it was a fortuitous turn that led us there. Delightfully, without children I was able to read every display case and successfully answered one of the little quizzes you could test yourself with about where types of writing originated from.

Not only have I struggled with a lack of direction in what I like to do I also need to overcome perfectionism. It is a hinderance. The desire to do things right overtakes the joy of an act. Yet somehow I have managed to keep this blog running for nine years despite my pitfalls in grammar and sentence construction.

It dawned on me in the dark depths of the British library that I have always been writing. Diaries, Journals, poetry, school work, blogging. I have dabbled in Russian, French, Japanese and now Arabic. Although, I am definitely not a linguist the idea of words, calligraphy and the art of writing is definitely something that I have a passion about. I wondered then from the belly of the building of books whether I had finally had that day. The second day that Twain deems an important one. I am declaring it almost so, for accountability perhaps. Fear that incase in a couple of months the idea of being a sports psychologist rears it’s competitive head or the family teacher trait takes a triumphant turn.

Ebony I

Writing features in the sculptors work in his Calligraphy collection and in one of his latest collection ‘Braille Branches’. This collection is one to raise awareness of environmental issues whilst simultaneously connecting with the visually impaired. The sculptures have different textures, surfaces and forms that lend themselves to touch and feel. The flat surface has raised patterns which allow the works to have a written message. When I was in the writing exhibition the section on Braille described it as tactile writing, patterns of dots or cells which can be used to represent letters, numbers and punctuation.

Ebony II
Ebony III

Something about these pieces looks ancient and futuristic combined, like modern tablets on ancient structures or alien-like forms with a primordial message. “Throughout history, we have engaged with writing in countless ways, using a variety of tools and materials. Writing and technology, have often developed hand in hand, inspiring and influencing one another. For thousands of years people have used writing to make their mark in a multitude of ways.” (Exhibition guide)

Today we use screens, express with emoji’s, communicate by text and yet I was thrilled to receive a beautiful fountain pen for my birthday halted in my endeavours to begin as I need ink! What will the future hold for the way we write, create, express and make our mark on the world. Thanks to Mark Twain I am eager to find out why and what happens next….

Who am I?

Mother and Child, Relationships, Soul searching

The age old existential question, Who am I?

We can easily describe ourselves in labels, as I have done for the name of my site, The Sculptor’s Wife. We can be wife, mother, daughter, sister, friend or husband, father, brother, son but that doesn’t make us who we are. I remember my sister telling me this after she had been in a lecture where they were asked to do this exercise and she had described herself in labels. Roles, which do play an important part in what we do.

In thinking about this, I took a little quiz at www.quizony.com which  kindly told me I was balanced, emotionally stable, a calm steady force and anchor for those around me. Without blowing my own trumpet I’d say that was pretty acurate. I need to be in a house with three male Shendi’s all with artistic temperaments (whatever that means). However, this painting might suggest otherwise:

Painting of me

Painting, The Sculptor’s Wife. by Sam Shendi 2018

 

The sculptor painted this earlier in the year whilst we were doing home improvements and whilst doing so we moved around the paintings. My husband re-used an old canvas of his which had been framed. There are several amusing things about this painting. I am green, I am holding a pineapple like a baby, I am wearing a pearl necklace which I don’t own. I think I look very severe with a nose like a smurf, not calm and anchored at all. Perhaps I do look anchored. I somehow look routed to the spot not willing to move from my view point. The funny thing is I think it looks very much like my Aunty, my Dad’s sister. Although, as I have lived with this portrait staring down at me in my kitchen over the last few months it does have an air of resemblance, despite it being like a caricature. I do tend to have pink cheeks!

I started this blog nearly nine years ago almost just as a documentary for myself not with intention of people reading it. This year I am really starting to think about growing it (any tips/advice on how to greatly received). Prompting me to consider where it is going and where I am going as me, myself. My desire to write. To expand. My role as wife and mother is pretty central to my day to day living and purpose. I manage much of the admin for both our kitchen business and our expansion into the art world with sculpture. In today’s world if we are not career driven then it can be seen as not aspirational and as though being a homemaker is not ambitious enough, as though it is something from the 1950’s. I think and hope ‘we’ are turning a corner in what defines success and how to achieve happiness.

 I started this year with ‘purpose’ as an intention. Not having a resolution but a word for the year. In doing so I have set goals and now well on my way to achieving them which gives me hope for 2019. There are so many more ways to learn and self improve than doing so through a structure of a system designed by others.

Last night whilst reading to my son the character was saying that everything happened by chance. I said I didn’t agree and that when things happened it was fate. My son said they were the same thing, but in discussing it, we decided fate was more connected faith. When you have faith then everything happens for a reason. It has a more hopeful outlook than merely chance. I think I would describe myself as a woman of faith but like everything it is all a practice. In current society that brings about many challenges.

‘To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment” 

Ralph Waldo Emerson.

For those new to reading my blog thank you for reading. I am, to use the labels, wife to the sculptor Sam Shendi. I write about the sculptures, art and day to day life with an artist and as the mother of two active and growing boys. I am seemingly, a calm, balanced regal pineapple!

You can also follow me on instagram @thesculptorswife.

 

Bonkers

Exhibitions, Public Art, Relationships

mermaid in building

Section of ‘The Mermaid’ in the reception of Aldgate Tower, London

Last week passed in a flash. A bonkers week! Having the sculptor back at home after his eight-day trip in London must have made the difference. Indeed he came back with stories and stuff, now strewn along the countertop in the kitchen. I thought I had finally cleaned and cleared for good this time! We may have converted the attic to a bedroom but now we need an office.

The week got so carried away that I forgot about writing and putting out a Friday blog. It’s a self-imposed deadline and it’s not as though I have thousands of follows falling off their seats waiting for my blog post to drop into the ether, however, this year I have found the structure of weekly writing helpful. I am still not sure how to increase readers though and I swing like a pendulum as to whether that is what I want or not.

I don’t feel I am back in a routine after the summer holidays  and with having a week of being at the shop (our kitchen business). I am looking forward to getting back into a routine. All a little bit altered with some changes in after school clubs and the boys now in different schools.

So last week the sculptures went straight from Saatchi, in a van with the sculptor to a new location in Aldgate Tower, London. It was decided that they looked best without plinths, appearing to come out of the ground.

However in the middle of last week we got a call to say the client wanted plinths, people were coming to close to them and probably other reasons too. Dutifully on Sunday the sculptor made a return trip to London with plinths. He was unfazed by this mainly I think because it is a new company we have started working with and  hopefully future potential. They do , however, look so much better on plinths.

I like this time of year as  the shift in seasons feels more distinct and reminder of and for change. Whilst the sculptor spent Sunday in the van, the boys and I enjoyed some autumnal sunshine in the woods after stressful morning of homework, don’t get me started on year 4 maths.

I had a little win in a lovely new shop and cafe which focuses on zero  waste. I filled up two lovely glass jars with hand soap and fabric conditioner for the washing machine, apparently you can make this from conkers. So it felt counter productive when you then have to go and buy plastic wrap to go round your child’s Spanish book all nicely covered with collage as part of his homework and even more so when you have to go and do it again because the first time round the purchase wasn’t clear plastic but a solid blue; though I am sure I read the label saying clear. It blatantly wasn’t clear enough.

Searching for conkers and then throwing against the wall for them to smash out of their shells was perfect therapy. We went bonkers for conkers, maybe even more so if we use it as soap.

aldgate building

Sam Shendi Sculptures in the reception of Aldgate Tower, London