Victoria, Anne and Matilda

collections, Colour, Connections

September is gone and October arrived and with it so many butterflies. Victoria and Anne and Matilda are sat round the table doing free flowing writing exercises, like the Bronte sisters did. I only know that because last week I went to a poetry workshop in Haworth. Lead by the poet Clare Shaw with her beautifully broad Lancashire accent who poetically spoke of Emily, Anna and Charlotte as though we were there with them. Names. Interesting how we name things and they become so. For these sculptural cocoons my husband named them old Queens of England. Read into this whatever you like; history, identity, nationality, royal family.

The philosophy of these pieces is based upon something the famous sculptor Michelangelo is quoted for, “Every block of stone has a statue inside it and it is the task of the sculptor to discover it”. As though there is a life form within the material being manitpulated, asking for release,  finding a way for freedom from the restraints within the cocoon of medium. My husband’s sculptural journey is often  exploring ‘within’,looking at keeping that statue trapped. Not allowing the ‘breaking free’ process to occur and focusing on the development of the chrysalis. As the sculptor, I suppose this is his licence, to keep it under wraps.  A butterfly just tapped on the window, as I write which gives me a sign I am on the right track.

My interest is in the naming. The famous sculpture of Michelangelo is ‘David’. When we view the sculpture ‘David’ we see a carved figure of a human form. It is unlike earlier Renaissance depictions of ‘David’, the biblical hero standing over Goliath. Michelangelo’s pose is before the battle actually takes place. Over time sculptural practice changes and develops with shifts in materials, philosophy, ideas, the things that inform the world around us. As much as we can still carve materials into almost exact replicas of things, there has to be an evolution to creativity. My husband is making reference to the title of ‘David’ by naming the art work female names in the same way. This creates a story around the sculpture and asks the viewer to question the form. It  suggests that the figure is within the form but additional addresses the idea of what the human form actually is and to think of the body as simply a vessel, to look beyond shape. This concept is prevalent in much of my husband’s work. He is exploring the idea that we are so much more than our bodies  but congruently, sculpturally, this collection is all about form, shape, mass, volume.

Almost at the same time as this collection was completed my husband won a project  which we currently have to keep ‘under wraps’.  A project which has meant a trip to London yesterday for the sculptor. The link between the titles of these sculptures and the up and coming project is a little bit like my constant observation of butterflies. All signs and symbols that everything is unfolding as it should.

 

The Metamorphosis Collection

What is in a name, Shendi?

Making

 

isolated

‘Isolated’

Names and meanings. We name our art pieces with laconic titles. Brief, direct and to the point. I sometimes have an input in the naming of works but it often becomes a joke. Like, who thought of the name of our kitchen business ‘Arabesque’, I am pretty sure it was me. (In fact I think I have written that somewhere before). It was probably a whole elongated conversation but who actually thought of it gets a little lost. The same has since happened with art works, it becomes a discussion to get to the final single or double word for the most apt title, who names it in the end we don’t really know!

Naming of art work in the art world has become a whole subject in itself in recent years with works having extended titles giving chapter and verse about a piece.”Dream Caused by the Flight of a Bee Around a Pomegranate, a Second Before Waking Up” by (Salvador) Dali is rather a long conflated one. Painter Debra Ramsey says: “I am now more aware, in our fast paced world, it’s safe to assume that the viewer expects at least some information right up front.. the title can lead the viewer into something, and can be used to broaden the “readership” of the work.”

'Cruelty'

‘Cruelty’

However, I think we’ve gone with the opposite idea. There is so much information today that the short succinct title makes the viewer able to consider it whilst focusing on the work itself. Letting the work speak for itself. On the other hand though when you hear my husband speak about his work or read about it, it does open up so much more and a deeper level of thinking about the subject. So I do see why more information about an art piece can sometimes be helpful.

head

‘Arion’

So to the name, ‘Shendi’. When my brother was still at school he somehow took the name ‘Shendi’ on and would always call my husband by it, “Now then Shendi” and some how coined it as his own nickname. There is something about it that could almost be a first name, like Jackson or Connor has become. So Friends have indeed started to call him, simply, Shendi.

However, Shendi  (Arabic: شندي) is a place, a town in northern Sudan, situated on the east bank of the Nile River 150 km northeast of Khartoum. Additionally, another town named Shendi in Ethiopia. So the fact that it is the name of a place also gives it a bit of weight. One day perhaps we may venture there. But whether our surname should actually be spelt ‘Shendi’ when we pronounce it sometimes more like’ Shindy’ could be a question. Although, when I say that out loud now I think it is more ‘Shen’ than ‘Shin’. Somehow Shendi looks better when you see the letters and the fact that Shindy means a noisy disturbance or lively party totally puts me off.

I decided to change my name only once the boys had been born and we were travelling. I had to change my passport anyway and it made sense and a lot easier to all be the same family name. Now, for school I have found this easier to be Mrs Shendi, but a lot of documentation is still in my maiden name which caused me great difficulty when I recently had to upgrade my phone. The whole female name change issue when getting married is an interesting one as in Egypt and many other middle eastern countries, a woman doesn’t change her name. I did consider this when getting married but because this tradition doesn’t apply here I would be Mrs ‘enter maiden name’ which would be the same as my mother and I thought that was really confusing.  I think it is interesting that the fact that woman in the middle east don’t take a man’s name when they marry, isn’t often known. Perhaps we should have more of a ‘Madame’ and ‘Mademoiselle’ system to specify age rather than marriage? I could happily have Mme and be ‘ME SHENDI’.

I jest and digress but  found this lovely appropriate quote, “Everyone you meet has a part to play in your story. And while some may take a chapter, others a paragraph, and most will be no more than scribbled notes in the margins, someday, you’ll meet someone who will become so integral to your life, you’ll put their name in the title.” –Beau Taplin.

This sums it up rather nicely for me, for who knows maybe one day ‘Shendi’ will be ranked along with Picasso, Van Gogh and Monet. We know them after all by their surnames not their first names. Even well-known artists today tend to be thought of  in Surnames, Hockney, Gormley, Hirst? Maybe, or less so? Another topic of discussion.

Anyway, I could quite easily imagine people asking have you have seen a ‘Shendi’? and they wouldn’t be meaning a lively party. So there’s no argument in the naming of my title or I guess the sculptor’s. Shendi will do nicely.

'The Bow'

‘The Bow’