Stuff and Stuffing

Exhibitions
Flux exh 2

‘Alert’ by Sam Shendi in FLUX exhibition

FLUX 3

 

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Section of painting at Flux.

Having watched the film of A Christmas Carol with the boys, I am all for Dickens focus of family at christmas, peace and goodwill to all. However, I also watched an almost disturbing documentary about the origins of Christmas and whilst it was Dickens who cemented the way we celebrate it now into the minds of the masses, it also confirmed my disillusioned view of it all, with the whole mix mash of pagan, christian and consumerist ideas. I have had to re read and delete much of what I had written as it was all very ‘Scrooge’ like and sounding bah humbug which didn’t really follow my last post very well but in some ways as humans we do all fluctuate in mood and feeling and can sometimes be hypocritical. So I will refrain. We are all in states of flux and so here are the images from the exhibition: FLUX.

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Close up of a painting at Flux.

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Close up of a piece by Dannielle Hodson, FLUX.

flux up close

FLUX 6

‘Bedtime Storeis’ by Sam Shendi in exhibition at FLUX.

With the last exhibition of the year at The Royal College of Art now finished, we are ready to close shop and retreat a while. I think winter is important to rest, relax and refresh ready for the new year. Although I am not even sure time should be viewed like that.

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Section of piece at FLUX.

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by Emma Caton, at FLUX.

 

I think this last image looks like christmas bauble. Though if you look closer you will notice it is full of rubbish and sweet wrappings. How rubbish and waste can be wrapped up in something, golden and dripping with delight. Not that I intended to end on that note. Perhaps, more a gentle remind and a pause for thought about the ‘stuff’ we ask for this Christmas, about the rubbish and waste we create. I think I till sound bah humbug. Not intended, Perhaps, Remember, reduce, reuse, is slightly more upbeat. Seasons Greetings to you all.

Celebrating this time of year with sculpture

Exhibitions, Galleries, Mother and Child, Old Masters

Relief. I didn’t make use of the fact it is also a sculptural term. It doesn’t stop though does it. Relief comes and then it’s back to it, there is no rest. The sculptor was back up again in the early hours to load the van and make the journey down to London. This time for an exhibition at The Royal College of Art. ‘Royal’ somehow makes everything sound more prestigious. We shall find out.

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‘The Seed’ by Sam Shendi

He is exhibiting new work which is an exciting theme and style. It harps back to work he made after university. More curvaceous, softer and less abstracted. It echos work of the 1900’s figurative sculpture but with a contemporary modern coating of colour. The germination of many ideas.

The pieces are to be exhibited alongside a huge range of artists in a large group show entitled ‘Flux’ which he has been involved with before. With two previews and various meetings alongside it’s another few days stay away and so I’m back in charge of the business and this time in-amongst nativity and carol concerts, festive songs and lullabies. Someone recently made a comment that these pieces reminded them of Mary (Mariam), mother of Jesus. There is no religious connotations to these pieces but it is interesting what it brings out in people.

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‘Lullaby’ by Sam Shendi

At a time when the focus of the Christmas story gets lost in the chaos of consumerism, commercials and Claus I am trying to speak with the boys about the similarities and differences between faiths. What this time of year is really about and why. The other evening whilst having bedtime stories we were talking about the importance of Mariam, a righteous and honourable woman and an example and sign for all people. My eldest always surprising me, pointed out that we are all one family really, we are all brothers and sisters in humanity. Those were his words. How those innocent, heartwarming and important child-uttered wisdom’s get buried as we grow up and start looking at differences and divisions.

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‘Bedtime Stories’ by Sam Shendi

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‘Alert’ by Sam Shendi

The sculptors work encourages these ideas of sameness and humanity. We all have a body in which we house our emotions and we share those same responses of anger, doubt, envy, fear, sadness, joy, love, hope. So at this time of year; for those enjoying the Winter Solstice and the ancient pagan Roman midwinter festivals, or celebrating festivals of light, or just because of the tradition of having up a stocking or those focusing on the birth of Jesus or the birth of a newborn in the family, finding out your pregnant, or for those mourning a loss, finding this time of year a challenge as we move through this season into a new Gregorian year let us remember the focus of family and unity and join together and transition in the emotions of hope and peace.

flux

In a state of flux

Exhibitions, Galleries, Relationships

Last week was half term, so I had no time to write, to think or to breathe. Obviously that last action is not true – I was blatantly breathing. However I am really aware that I don’t stop for breath when running after two boys and I am often in a “state of flux” when situations in life may go one way or another. Both  boys wanted to do different things at a busy museum on day one, so my ranting started and I was struggling for air. I suddenly felt the whole week could be a disaster. Luckily friends during the remainder of the holiday week meant we were all much calmer and passed enjoyably. I realised the importance of meeting up with others when you have children in tow. For myself though I need alone time to clear my head for words to flow. Half term meant there was no space in my head for thinking past what and who was going where and what we were all eating.

Added into the hectic holiday was the fact that the sculptor had a 4 day exhibition in London entitled ‘Flux‘ showcased 70 quality artists. This meant that mid-week he got up at 3am to take a wagon full of sculptures on the road. Unfortunately I didn’t go back to sleep after the shrill of the alarm, so I had a coffee fuelled day in the showroom with both boys. The sculptor however had an even crazier day of then journeying down to London, setting up the exhibition and then attending the private view which was packed with people. Madly they decided to drive back home directly after arriving at 5am. So the lack of sleep award wasn’t going to me. To compound that, two days later rose early again to go back down to London to pack up whilst his heroic companion Anthony Hartley drove across to Gatwick to deliver pieces going to Germany in March. It is all getting very logistical, with unloading to do at this end they didn’t get in until Monday morning. But no time to rest as the exhibition at Cartwright Hall needed taking time. I am not sure if you are keeping track of the time here but the point is a lot of moving and lifting and travelling on very little sleep.

Stop. Take a deep breath.

Life is a constant change, ‘ in flux’. Nothing is permanent. Everything is shifting continually but for the most part we try to order, constrain and control things. At the moment our daily lives; managing showroom, sculptures, exhibitions, delivery and collection of art works, emails, boys and school means that I, particularly need to be more fluid. My husband seems to manage these ‘states of flux’ much better. The art of decisive quick thinking.

 

flux exhibition

FLUX at The Rag Factory before the 500 plus people arrived.