departed departed 1 departed 2 departed 3 departed 4 departed 6 departed 7 departed 8

I typed ‘Departed’ and just saw ‘dead’ written next to it. Very final. I had been thinking more along the lines of ’embarking on a journey’ or ‘leaving the station’ – that kind of departed. The film, ‘The Departed’ perhaps. The lamb I saw in the road today, very much alive and annoying the farmer had departed from the field. Hadn’t it? It wasn’t dead, anyway – not yet.

Last week I ‘departed’ facebook for a month. Now I am wondering whether to completely come off it or will I slip back into the addictive social scrolling. Perhaps my internet persona on facebook is dead? In a world where we increasingly spend more time in a virtual reality, what becomes real and not real, what is seen and unseen? I won’t know how many facebook hits I get on this post. Will that bother me? Does it make it less real that people could potentially be reading my little blog post. Does it even matter if anyone is reading it. Not really, I guess.

Departing social media really is a tenuous link to this piece and doesn’t do it justice. What matters in the end is the good we leave behind in the world after we have departed. And when we have departed, where are you going? So ponder these ideas whilst you look at the shape, the line, the curve, the balance, the colour and particularly the shadows. Abstraction can be based on reality, just broken down to the very minimal and it is up to the viewer to see beyond. To visualise the deeper meaning of what is in front of you and find the unseen.

‘Art Swap’

Colour, Connections, Relationships

Sat at our kitchen table an evening after he returned from London we were catching up and chatting, we spontaneously posted the idea ‘ART SWAP’ on the sculptor’s Facebook page. I wasn’t too sure if it should be ART SWOP – does it depend where you come from? Anyway, we made the suggestion that artists could offer a piece of their work in exchange for a piece of ‘The Keyhole Man’ collection.

Nibbling dried fruit and dark chocolate I suggested that it would be interesting how long the process would take. By Midnight, fuelled by the 85% cocoa consumption we were still receiving messages, seeing which design other artists were interested in was intriguing and by the following day all 11 little men had new homes. It was wonderful being flooded with choices of works to pick from. Excitingly we realised we will potentially have 11 new art works. We need to build that modern shendi house!

It seems like a novel idea, and its a great idea at that, f or so many reasons. However, it is not a completely unique idea artists in the past were always intermingling, interchanging ideas and works. Picasso and Braque worked together, Monet and Renoir, Pissarro and Degas set up their own exhibition, Jan Lievens shared a studio with Rembrandt, Ben Nicholson introduced Barbara Hepworth to artists in Paris such as Brancusi, Arp, Mondrian and Naum Gabo. Together they became involved in a new international crusade for abstract art. Artists have always worked together.

In today’s modern world twitter, Facebook, pinterest and all the other forms of social networking all influence a digital exchange of ideas and connection globally. But generally Artists aren’t as friendly as they used to be there is more competition and backbiting.

To swap the actual art work is a fabulous way of making the world a bit more physical and real and for artists to appreciate each others work, to be able to receive pieces within a means they can afford.

Hopefully ART SWAP makes the connection and relationship between artists better, less competitive and more about a shared sense of camaraderie.
Keyhole family

‘The Keyhole Men Collection’


Colour, Exhibitions, Galleries, Mother and Child, Relationships


Just noticed that SHE is the first three letters of SHENDI, which has nothing to do with the name of the exhibition. Shendi is the name of a town in northern Sudan, situated on the east bank of the Nile River 150 km northeast of Khartoum. I don’t know if the family name traces back to the town but it does have a certain ring to it. When I first met my husband my brother was only 14 and took it on as a nickname, not quite sure exactly why. I debated for a while about taking the name on, in Egypt woman don’t take the husband’s name, they keep their father’s name. All to do with lineage rather than belonging to a man, fascinating.

The exhibition  is simply ‘SHE’ as in, female, woman, girl. It is a joint exhibition with the delicate painter  Anu Samarüütel which nicely compliments the solid sculptures of ‘Shendi. My husband went to set up today on this sunny day after a busy day. I will upload some of the set up pictures on my new facebook page ‘The Sculptors Wife’. The colour used by both artists is uplifting and cheerful. Anu has strong links with fashion and design as does my husband’s work. I hope I can get over and see it, the exhibition will run for  a month at Red Brick Mill, Batley.

red she

‘The Keyhole man’ guarding the door for the SHE exhibition!


Colour, Conceptual, Exhibitions, Public Art

To VOTE click here and then scroll down The RBS page, unfortunately you then have to click onto ‘see more recent stories’ then there are images of the five finalists. As it is in alphabetical order my husband’s image is last, lots of scrolling down I am afraid but we will really appreciate your vote. The theme given to sculptors to work on was ‘Transmission’. The concept for this maquette is below. Huge THANK YOU to all those who have voted already.

 So if you could PLEASE VOTE by clicking ‘like’ on the image of my husband’s maquette. It would be great to get it to 250 likes by next week. We are not sure how much the ‘public vote’ counts towards the winning. He still has an interview to put forward his proposal. The rest we have to leave to the jury. A prestigious panel of five. Who next week will have my husband’s career in their hands.

Maquette for FIRST@108 award, titled 'Evolution'

Maquette for FIRST@108 award, titled ‘Evolution’

This sculpture is under the name of ‘Evolution’, showing the development of the changes to our body caused by the powerful effect of life’s energy transmission inside us. My idea is presented by 7 individual sculptures, each piece representing a minimalistic shape of the human figure in seven different stages of life.

Each piece is represented in an individual shape, height and colour, enabling the viewer to separate every stage but still seeing the whole concept as one piece. As though it is a single wave depicting the energy within us, a wave of transmission.

The individual stages show the physically changes our body goes through in order to maintain or contain this energy. The 7 stages are: Infancy, Childhood, Teenage years, Adulthood, Maturity, Elderly and Death. These constructions will be made from steel, and by using high gloss colours makes the sculpture appear weightless but remains strong to withstand the elements.

This sculpture will have a minimalistic contemporary and an architectural appeal to connect with the viewer and allow them to see the message behind the concept. It has a child friendly appeal to encourage appreciation from a wide range of viewers.

This transmission within us doesn’t see culture, ethnicity, education, religion or any difference between us. It is within us regardless and we all share this mysterious transmission that is able to change us in a short period of time. Some of us are unaware of it; some of us take it for granted, some of us neglect it. This piece shows how powerful the energy which is transmitted through our life is and that our similarities are more inspiring than our differences.

Walls and Webs

Beautiful Bronze, Connections

The big step forward'

Ever get that feeling that someone has read your mind? Are we all connected by some invisible thread weaving us together?

The world-wide web connects us in so many ways. For my husband, Facebook is like a meeting place for artists. The old greats would meet in some Parisian coffee shop or art expose. Much cooler and artisan, in my opinion. Today’s modern equivalent is the internet. The terminology and ‘speak’ that goes hand in hand is amusing and somewhat confusing to those who are not ‘plugged in’. “Get off my wall” one teenage said to another as they sat next to each other with phones in hand.

I don’t completely understand the difference, but my husband now has a public Facebook page. So take a look at my husbands ‘WALL’. We haven’t ventured into the world of bird speak . Perhaps, that’s yet to come. Although, I am a little more apprehensive about twittering. On his return from London we have made some improvements to his website too www.samshendi.co.uk .

Considering we live in small village in North Yorkshire my husband has a strange way of being very ‘in vogue’. Last year he painted our showroom in vibrant greens which was, a colour which was few months later, ‘on trend’.

‘The big step forward’, a beautiful bronze piece has come alive since being professionally photographed and is symbolic of the stage we are in at the moment.  His practice has moved on from the kind of pieces above and has found himself again in the middle of what magazines are suggesting is in fashion.

I wonder if there is some subliminal connection between creative types, their thought process and ideas. In the world of fashion (London fashion week this week) it is all researched and analysed to predict forward trends…still not quite sure how they do that! Perhaps, there is some hidden webs tangling the talented together.

Celebrating and Connecting

History, Philosophy, Public Art, Relationships

'Ceremony of unveiling'

'Have a little faith' sculpture in situ

'Dedication plaque'

'able to see our reflection within the human figure'

Sunday marked the 300 year anniversary of Sutton Baptist Church and my husband dedicated a sculpture to mark, ‘not only a 300 year building but the faith which unites us despite differences’. The reaction of the crowd was superb and I felt so proud. Inside the church was a display of old pictures and articles. I was surprised to learn that before the ‘new build’ had been a huge and impressive building that had been knocked down in the 70’s due to dry rot! Not something that would happen today. I had forgotten the connections between the Baptist church and my project before children ‘Glusburn Institute‘. Some of our sculptures were photographed in what was the Baptist chapel, part of the Institute. This closed as a chapel and amalgamated with the Sutton church to become South Craven Baptist Church. We knew many people who had turned out for the occasion, some coming especially to see the sculpture and other because of the connections that come with being part of village community life. That is the beauty of living in rural England, there is still a sense of a community spirit.

As was highlighted in the opening speeches that the sculpture was there to celebrate the church in modern society and draw attention to historic references. Therefore, blending past and future together and uniting generations in faith

Very much affected by the current climate, the situation in the Middle East and the negative attention on Islam my husband wanted to is to emphasise the similarities in faith, which unite us. The partnership goes beyond our differences and looks to peace

‘As an artist you have the unique position to be able to make a visual statement that can hopefully make an impact on society. In the 21st century surrounded by all this architecture and technology this sculpture is made from these materials, stainless and polished steel appeared to be perfect materials to use for this project.

So we celebrated another achievement and wondered how the local paper had managed to get such a bizarre picture of my husband! It was certainly not one we had given them and not one we have any idea where it was taken. The radio was discussing the role of Facebook and the new concept of a timeline in which images can be uploaded in sequential order and how we are self creating big brother. The new generation happily share information much more readily on the web but there is a worry about how that can backfire. As I write that, I realise the pros and cons of this post digital age, after all 10 years ago I wouldn’t have been sat here writing my own blog for all to see….

I suppose as long and we can continue to celebrate and connect with each other in a positive way it can be an effective tool. As with everything, like my dad says, ‘in moderation’ and for me as long as we ‘have a little faith’ and we don’t lose that sense of community and faith then we can continue to strive for a better future.