The Forbidden Sculptures of Nefertiti

collections, Egyptian

Way back in December my husband said he was closing shop, closing studio for a few weeks. Time Off. Haha who was anyone kidding, the following day he was at the studio creating a new collection. This new collection is steeped in history, a concept, a story.

If you cast your imagination back, back to the time of ancient Egyptians. “The King’s Favourite and Master of Works, the Sculptor Thutmose” flourished in 1350 BC. Thutmose is thought to have been the official court sculptor of the Egyptian Pharaoh Akhenaten towards the end of his reign.

Nefertti

The bust of Nefertiti sculpted by Thutmose

The sculptor of the royal house was commissioned to make works of decoration and public art including the well-known Nefertiti Bust (above)

However, the story goes that in the secret spaces of his own studio the sculptor set to work on his own private collection. Looking at the Queen everyday working on the portrait the sculptor fell in love with his muse. So inspired he started working prolifically on full figures presenting her in shapes never seen before, inspired by the beauty of the young queen he explored his own style.

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Sam Shendi in the Studio

Or perhaps the Queen and her sculptor were in love and she commissioned him in secret to work on something that freed him from the constraints of the public design. She wanted him to dedicate his practise to her.

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Sanding

Either way, these sculptures were hidden away in his studio and had no opportunity to be unveiled. To be revealed would make his love known or be too much evidence of love forbidden.

RESIN nEFERTITI

Next layer

They remained unearthed in the studio like beings from another world. Beautiful creations dancing in the shadows.

The possibilities of this story, the discovery of several works in the remains of the sculptor’s studio and suggestions that it was the sculptor alone and not an apprentice that worked on those of Nefertiti suggests some sort of secret.

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Working on the Nefertiti collection in the studio

This story inspires the new collection.

Studio all Nefertti

Studio full of the forbidden sculptures of Nefertiti

Each piece would be positioned on an individual plinth and in two parallel rows of four. These stunning black and white photos below showcase the form, line and perfect finish of these works. Every time my husband finished new work, I think it is the best. Next week I will show you the finished full colour collection.

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Head Shot. Black and White photos of sculptures

shadow Nefertiti

That’s a bit awkward

collections, Relationships

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This piece sums up my three Shendi boys who all have tendencies to lean towards being awkward rather than compliant. I think I am compliant. So why am I surrounded by the ‘awkward’? But when does awkward become just being yourself? Should we have to tip ourselves towards someone else’s preference just to make things easier or more comfortable for ourselves or for them?.

My husband made this piece in the knowledge that he can be awkward. Meaning that he has very clear ideas, things are nearly always black and white to him. Often that doesn’t always fit in with those around you. In some ways that is easy to deal with, you know where you are or what a person’s preferences are. Sometimes it is just difficult. The piece itself looks difficult, defining gravity it makes you feel a little bit awkward looking at it. Yet it is still stunning and the fact that it does balance is the genius of the sculptor. I guess being awkward has it’s trade offs.

If you are easy either way about something it can be more straightforward to fit in with those around you but you can easily then drift along not really doing what you really want to do. As you can tell I have no black and white idea on which is the better way to be. Perhaps, that ultimately is the point. We should be more accepting of others opinions, ideas and view points without having to have them agree with us in order to get along. I have found this very interesting in living with someone who often has a very different viewpoint from myself. Either because he does or he’s just being awkward!

 

Starting the year with serenity

Uncategorized

I always feel the December holidays are hibernation and a time for slowing down. I hit against it every year but this year was more resigning to it. However, 2017 has begun and already a week passed, time stops for no one.

It hasn’t been the best of starts to the year for one reason and another. Some trivial and some profound. Yet I am hopefully 2017 will be a good year.

Today the rain outside is relentless and as we drove to school this morning the eldest said it still felt dark. Here it is a gloomy dismal day and it though it doesn’t totally reflect my mood, there is a stillness needed.

So I post some stunning images in black and white, sombre and shadows and think about serenity.

God, grant me the serenity to accept the things I cannot change,
Courage to change the things I can,
And wisdom to know the difference.

Living one day at a time,
Enjoying one moment at a time,
Accepting hardship as a pathway to peace,

Karl Paul Reinhold Niebuhr

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‘Hammer head’ in progress at the studio (2016)

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10 reasons why you should buy a piece of sculpture

Making

1. You have the money.

2. You have the space.

3. You have a big house.

4. You want more than a decorative item.

5. You connect to the piece.

6. You can see something different from every angle (even if it is a solid cuboid!)

7. Not just for you, but for everyone around you.

8. It is a reminder of the time you live in.

9. It is a legacy both in itself and it becomes your legacy.

10. Put it in a room with a chair and sit and watch it. Who needs TV?

…..sculpture is not a materialistic object that you must have or need to have but it can raise your awareness and elevates your being. Why would you buy a sculpture?

‘Black & White'

‘Black & White’

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